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  • Front: Books
    Source: Frieze Magazine Issues
    January 1

    Experimental magazines, absurdist writing and new fiction, the publishing highlights of 2011
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    February 2

    Rhizome is pleased to present a solo exhibition of work by outstanding artist Rafaël Rozendaal, who is known for his trailblazing explorations of th. […]
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    VIENNA.- With his humorous and profound depictions of everyday objects, Claes Oldenburg is one of the most important and popular artists since the lat. […]
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  • London: Grayson Perry ‘The Tomb of the Unknown Craftsman’ at the British Museum extended through February 26, 2012
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    February 4

      Grayson Perry, The Frivolous Now (2011). Courtesy the Artist and Victoria Miro Gallery, London. Copyright Grayson Perry. Photo: Stephen White In. […]

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  • Artists From The Gallery

    Jack Siegel - Make Out
    Jack Siegel - Make Out
    Eric Shaw, Room with De Kooning
    Eric Shaw, Room with De Kooning
    Jack Siegel - Wade Blur
    Jack Siegel - Wade Blur
    Jack Siegel - Library
    Jack Siegel - Library
    Eric Shaw, Untitled
    Eric Shaw, Untitled
    Eric Shaw, Untitled
    Eric Shaw, Untitled
    Jack Siegel - Gay Bar
    Jack Siegel - Gay Bar

  • Built to Spill at Terminal 5 09/26/08

    September 30th, 2008
    By: Paris Ionescu
    Topics: Art in General

    It was a mash up. A triple bill of some of the most important indie bands of the 90’s: The Meat Puppets, Dinosaur Jr., and the headliner, Built To Spill, performing the entirety of their album, Perfect From Now On.

    The Meat Puppets hadn’t aged well. Their legendary drug use had taken its toll, both the Kirkwood brothers looked haggard, especially Chris, the bassist, who looked like an old tree log. But they still managed to rock through their foot tapping country-tinged grunge with grace. They ended with an impressive jam that left behind a quiet audience in its quake.

    The Meat Puppets were loud, but Dinosaur Jr. was a war machine. J. Mascis, their long white haired guitarist and front man, was like a towering Nordic God as he thrashed out angry riffs from within the confines of a Marshal Stack fortress.

    Built To Spill played to a packed theatre. Part of front man Doug Marstch’s charm is that his face has a calm to it when it’s not whining melodies, but tonight it seemed that in many ways, he was genuinely tired. After performing the same album day after day for months on end, Marstch seemed weary.

    When the band was finished, they were treated to a roaring applause. Amid the shouting and clapping Marstch’s strumming arm could be heard playing the introduction to “The Plan,” a song not on the album. Then they played “Center of the Universe.” And then in what seemed too good to be true, they jumped into their indie rock masterpiece, “Carry the Zero.” For the first time in the show Marstch seemed truly passionate. His face turned a violet red as his convulsing body banged on the strings of his guitar, and he sang with pure cold-blooded conviction about love as a failed math equation.

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      Sites of Note

      • aaaarg.org
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      • Art in the Age of Global Weirding
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      • Medien Kunst Netz
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      • parisionescu.tumblr.com
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      • Seth Godin
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      • UbuWeb
      • VVORK





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