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Some News Links

  • Middle: Analyze This
    Source: Frieze Magazine Issues
    August 24

    A round table discussion led by Jörg Heiser on ‘super-hybridity’: what is it and should we be worried? With Ronald Jones, Nina Power, Seth Price,. […]
  • You, the World and I (2010) - Jon Rafman
    Source: Rhizome Inclusive: News, Blog, and Digest
    September 6

    When Orpheus’ beloved Eurydice dies, he cajoles his way into the underworld with his musical charms and his lyre. Wanting her but not her shade, he. […]
  • Sotheby's to Sell Group of Exceptional Paintings from the Collection of Supermodel Jerry Hall
    Source: Recent News on Artdaily.org

    LONDON.- Sotheby’s announced that it will offer for sale a group of 14 outstanding and revealing Contemporary artworks from the Collection of Jerry H. […]
  • No More Poodles II: Bogue versus Vogue
    Source: Mute magazine - culture and politics after the net
    September 1

    By Ben Watson In the second installment of his music column, Ben Watson wages a war of social being against the hip priests of consensus reality   . […]
  • Dance Review – Ann Liv Young as Cinderella at Issue Project Room – NYTimes.com
    Source: Art Fag City
    September 6

    Dance Review – Ann Liv Young as Cinderella at Issue Project Room – NYTimes.com – Wow. Reviews this bad are rare in the Times. But I'm not surpri. […]
  • On sale now: What was the Hipster?
    Source: n+1
    August 27

    Dear readers, we're extremely pleased to announce that the third installment of our small book series, What was the Hipster? is now available for pre-. […]
  • Australia To Fight iPod Use By Pedestrians
    Source: Slashdot
    September 7

    Kilrah_il writes "In recent years the number of people killed on roads in New South Wales, Australia has dropped, but strangely enough, the number of. […]
  • Go See – London: Acclaimed fashion designer Hussein Chalayan crosses over into visual art at the Lisson Gallery through October 2nd, 2010
    Source: AO Art Observed™
    September 6

    I am Sad Leyla by Hussein Chalayan, via Lisson Gallery My approach has always been interdisciplinary; the new work is an extension of this. There is a. […]
  • The Art of Performance: A Critical Anthology (1984)
    Source: Ubu Web


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  • Artists From The Gallery

    Eric Shaw, Untitled
    Eric Shaw, Untitled
    Jack Siegel - Nate Lowman
    Jack Siegel - Nate Lowman
    Eric Shaw, Untitled
    Eric Shaw, Untitled
    Jack Siegel - Buttons
    Jack Siegel - Buttons
    Jack Siegel - Library
    Jack Siegel - Library
    Cherry Blossom.jpg
    Cherry Blossom.jpg
    Jack Siegel - Casshole
    Jack Siegel - Casshole

  • Built to Spill at Terminal 5 09/26/08

    September 30th, 2008
    By: Paris Ionescu
    Topics: Art in General

    It was a mash up. A triple bill of some of the most important indie bands of the 90’s: The Meat Puppets, Dinosaur Jr., and the headliner, Built To Spill, performing the entirety of their album, Perfect From Now On.

    The Meat Puppets hadn’t aged well. Their legendary drug use had taken its toll, both the Kirkwood brothers looked haggard, especially Chris, the bassist, who looked like an old tree log. But they still managed to rock through their foot tapping country-tinged grunge with grace. They ended with an impressive jam that left behind a quiet audience in its quake.

    The Meat Puppets were loud, but Dinosaur Jr. was a war machine. J. Mascis, their long white haired guitarist and front man, was like a towering Nordic God as he thrashed out angry riffs from within the confines of a Marshal Stack fortress.

    Built To Spill played to a packed theatre. Part of front man Doug Marstch’s charm is that his face has a calm to it when it’s not whining melodies, but tonight it seemed that in many ways, he was genuinely tired. After performing the same album day after day for months on end, Marstch seemed weary.

    When the band was finished, they were treated to a roaring applause. Amid the shouting and clapping Marstch’s strumming arm could be heard playing the introduction to “The Plan,” a song not on the album. Then they played “Center of the Universe.” And then in what seemed too good to be true, they jumped into their indie rock masterpiece, “Carry the Zero.” For the first time in the show Marstch seemed truly passionate. His face turned a violet red as his convulsing body banged on the strings of his guitar, and he sang with pure cold-blooded conviction about love as a failed math equation.

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      Sites of Note

      • aaaarg.org
      • air de paris
      • Art Observed
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      • cms.MIT.edu
      • diarch.net
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      • installationart.net
      • Lev Manovich
      • Medien Kunst Netz
      • mute magazine
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